How Teaching Has Helped My Writing

I'll never forget what Pulitzer-prize-winning author Marilynne Robinson said once during an interview at Calvin College's Festival of Faith & Writing. It boiled down to the fact that she doesn't do well when she can't teach along with her writing.

At the time, not having had much experience with teaching, I thought it was sort of a funny thing to say. But now, having had several more years of teaching experience under my belt, I'm beginning to get it. I'm not sure that teaching is quite as indispensable to me as it is to Marilynne. But then, right now I'm deep into a particular project, and quite enjoy the times when I can be fully absorbed in its world.

But I can also see that my experience with teaching--and I do love teaching--has definitely helped improve my writing, both that for academic audiences and creative projects. This semester I'm really seeing the fruits of teaching in these seemingly non-teaching-related tasks.

Take my academic writing task for this morning. Since I'm going to present at the Popular Culture Association conference in a few weeks, I had to take an aspect of my nearly-300 page dissertation and turn it into an 8 page paper to present in 15-20 minutes. The fact that the last few years of teaching has given me experience in just how much complex information I can translate for students in a short amount of time helped me to complete this task in a short amount of time. (And of course the fact that I regularly teach public speaking didn't hurt either: I've planned several spots where I hope to draw the audience into the presentation through asking them questions, for instance.)

But academic writing isn't the only way that my teaching experience has been useful. In my NaNoWriSpr novel manuscripting project, I've noticed that my practice in persuading students to be interested in learning subjects they see to be boring or difficult has helped me in writing my novel as well.

After all, one can't assume one's readership comes into a novel automatically liking it, and so you have to make a strong case for their attention both at the beginning but also throughout the story while dispensing the right kind of background information at the right times. Watching where my students' attention flags--and knowing the same material strikes different classes in different ways--has helped me to be aware that my reader is likely doing the same with my writing at times.

Unlike with my teaching, I don't have immediate non-verbal feedback with my writing. My teaching experience has taught me, therefore, to get feedback during my development process from as many readers as possible to see how different types of people respond to my story. This, like my students' faces, helps me to see how well I'm doing to engage a range of people without relying too much on a single reader experience. And when a theme pops up over time in my reader feedback--as it tends to both in students' faces and in student evaluations--I know I need to consider how to adjust to better engage my audience.

Yup, I'm beginning to get a sense of why Marilynne Robinson said what she said about the teaching. Without the feedback, the practice in translating things for others, the face-to-face interaction with others in a setting like teaching, the process in writing can become a little disconnected from these crucial concepts. Like Marilynne, I'm thankful for the teaching experience I've been granted so far.

NaNoWriSpr: Ups and Downs

So it's been an eventful couple of weeks since I posted last. The honeymoon of writing 31 pages in the first couple was disrupted by a week filled with insomnia and panic at thinking I was losing key Interlibrary-loaned books to due dates.

I only wrote 1 page that week, and I was both pretty cranky and pretty hard on myself for it.

But then this Tuesday at my writing class (which officially began my 4th week of the experiment) we workshopped my first chapter.

Did I agree with all the comments? No. But I was able to apply grains of salt as required and it was exhilarating to get audience feedback. One can get so much in one's own head when one's writing that it can be a relief just to know that they mostly got what you were going for.

Plus, putting together the patterns of feedback can help you to discover where the reader gets stuck.

As it turned out, I needed to throw out my first 2-3 warmup pages, which weren't as active, and replace them with an actual scene that served the same purpose as the pretty warmup description had.

At my followup conference with my professor, I showed him the new version and got lovely lovely confirmation that I'm on the right track.

This--THIS!--is why I'm taking a class while doing this while I have the opportunity.

And so the workshop got me back on track and inspired again. So far this week I've written 12 pages, and there's a very good chance I'll get more done by Tuesday's class.

Plus, not only was I able to renew the key book I thought I would lose--I now have it until the end of March--but I discovered that the work I did during my seemingly dead week was intensely useful as it was a highly important source for me to get the gist of before going any further into the plot.

The insomnia? Now that, I have yet to realize the purpose for. Maybe I'll have some characters who will have it before the end of the book, and last week's experience will help me to empathize with and communicate their experience of disrupted productivity.

I don't know. But the great thing about being a writer is this: It's all potentially material. I love being back in the thick of the process because even on the down times, it never fully feels as though anything in my life will be wasted.

And I deeply, deeply love the way so much of my knowledge, skills, and experiences of the last few years are able to be applied in this particular project. It very much feels like I've been training my research and writing and narrating muscles for this moment.

There will be more weeks like last week, I'm sure--I won't always hit my page goals. But getting 42 pages of new manuscript, almost half of which has been revised into a second draft of sorts, down in less than 4 weeks is pretty exciting.