Okay, so no new pages lately--teaching and other academic endeavors have been winning the cage match lately, with two academic conferences this week and next at which to present my dissertation research, subs to get and prepare for when I'm gone, midterm grades having just been finished and handed back, various professional development opportunities to apply for, etc., etc., etc.
When it comes down to it, Livelihood has quite the right hook, especially just after spring break, when midterms coincide with Conference Season. It's a good thing an amazing stack of well-written midterms softened the blow. I love seeing my students learn and begin to grasp difficult concepts in depth.
But that doesn't mean Creative Writing and the DNiP are down for the count, by any means. For one thing, I just workshopped my third and last novel installment of the semester in my fiction writing class yesterday, and it went well. It feels good to know I'm on the right track. And I'll be taking the files with me while traveling in case of a spare hour or two. Hotel rooms can be good places to write.
Furthermore, it's not like my academic activities are really divorced or separate from my creative writing endeavors. My diss was about author-audience relationships in storytelling situations, after all, and I love that I get to go talk to others who are interested in the same things.
Plus, after a week away from the novel-writing absorption of spring break, I was reading through my current manuscript again last night and could see the benefits of the down time. I'm a bit worried about spending TOO much time away, but I'm in a really good place with it right now, so a couple of weeks of lower writing activity won't hurt, I don't think.
Plus, talking to other humans who are interested in similar things--and hearing interesting papers about a wide range of topics--will be good for me, and I'm sure to enjoy it. If there's one thing I've learned over the years, stimuli that doesn't always seem to move my immediate projects forward can inspire me in ways I would not have expected. And as I've been realizing more and more lately, one of the things I most love in life--that animates me the most, and drives projects stemming from all my selves, whether professional or creative or social--is a good nuanced dialogue about interesting and important things.
[With great effort, picks up boulder of DNiP guilt and sets it outside of the suitcase she's packing.] This will be a good week and a half.
Showing posts with label balance. Show all posts
Showing posts with label balance. Show all posts
Wednesday, March 27, 2013
NaNoWriSpr: On Guilt, Conference Season, and Novel Writing
Labels:
academic writing,
balance,
conferences,
guilt,
NaNoWriSpr,
speed writing contests,
teaching
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Wednesday, March 20, 2013
How Teaching Has Helped My Writing, Part Deux
So I'll admit it--when I went on Spring Break a little more than a week ago, I was very ready to bid Teaching goodbye, to thumb my nose and bid adieu (or at least au revoir for 10 days). Other than a few necessary academic tasks, I wanted to absorb myself fully in my novel process, which was tugging me toward it with the force of a very insistent small child.
I assuaged my guilt about this treatment of Teaching by writing my most recent post. But while I meant it, I was thrilled that the DNiP* had won the Writing vs. Teaching cage match for a short while.
And I'll tell you, I thoroughly enjoyed my week with the DNiP. I dove in full force. I vised. I revised. I read source materials and writings from my era. While I never seem to be able to achieve the 20 pages per week I long for, I won through to 74 pages of draft and felt confident about the first 50 of them. It was great. I realized that if I stay on this pace I'll be at a very respectable 150 pages by the end of the semester, which would leave me on track to finish the manuscript this summer.
And then it was Sunday, and I emerged from my cave. Someone asked me a simple question. I'm pretty sure I gave an answer that might have made sense. I wasn't sure. But at that point the pit in my stomach clenched up a bit, knowing that the upcoming summer of time alone with my DNiP might become a problem. See, it's possible that too much time alone with one's fictional creations and absorbed in that world could potentially be a bad thing for my social skills.
After the summer, will I be able to pull out of this daze I develop in these hermit-like spates of writing? Will I remember how to interpret and create appropriate non-verbal stimuli? Will I be able to converse on normal subject matter?
These questions are real (if slightly hyperbolic). At any rate, they drove me to very much enjoy the sociability of my teaching interactions yesterday. It's good to practice stringing sentences together orally so that an immediate audience can understand them. To focus on subjects that aren't associated with this all-consuming project that has such strong pull. To have a break from some of the heavy subjects and emotions that come with the research and writing.
Yup, this might have been the biggest reason for Marilynne Robinson's aversion to the writing life sans teaching I mentioned in the last post. I'm going to have to schedule some good regular social time this summer to balance out the solitude and absorption inherent in my writing time. Yes indeed.
*Dear Novel-in-Progress.
I assuaged my guilt about this treatment of Teaching by writing my most recent post. But while I meant it, I was thrilled that the DNiP* had won the Writing vs. Teaching cage match for a short while.
And I'll tell you, I thoroughly enjoyed my week with the DNiP. I dove in full force. I vised. I revised. I read source materials and writings from my era. While I never seem to be able to achieve the 20 pages per week I long for, I won through to 74 pages of draft and felt confident about the first 50 of them. It was great. I realized that if I stay on this pace I'll be at a very respectable 150 pages by the end of the semester, which would leave me on track to finish the manuscript this summer.
And then it was Sunday, and I emerged from my cave. Someone asked me a simple question. I'm pretty sure I gave an answer that might have made sense. I wasn't sure. But at that point the pit in my stomach clenched up a bit, knowing that the upcoming summer of time alone with my DNiP might become a problem. See, it's possible that too much time alone with one's fictional creations and absorbed in that world could potentially be a bad thing for my social skills.
After the summer, will I be able to pull out of this daze I develop in these hermit-like spates of writing? Will I remember how to interpret and create appropriate non-verbal stimuli? Will I be able to converse on normal subject matter?
These questions are real (if slightly hyperbolic). At any rate, they drove me to very much enjoy the sociability of my teaching interactions yesterday. It's good to practice stringing sentences together orally so that an immediate audience can understand them. To focus on subjects that aren't associated with this all-consuming project that has such strong pull. To have a break from some of the heavy subjects and emotions that come with the research and writing.
Yup, this might have been the biggest reason for Marilynne Robinson's aversion to the writing life sans teaching I mentioned in the last post. I'm going to have to schedule some good regular social time this summer to balance out the solitude and absorption inherent in my writing time. Yes indeed.
*Dear Novel-in-Progress.
Labels:
balance,
cage match,
creative writing,
interaction,
NaNoWriSpr,
teaching,
writing life,
writing process
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Wednesday, January 16, 2013
On Contentment; Or, When Things Go Well
It's amazing how easy it is to be content when things are going well. I taught my first classes yesterday, and am once again delighted to rediscover that I do indeed enjoy life more in second semesters, especially ones in which I get to teach in 75-minute class period. (Oh, how I love a longer class period in which to teach.)
And then I went to my first creative writing class.
I like creative people. I enjoy talking about creative writing things. It was fun.
It was a long day, but I went to bed with thoughts of the beginning of my novel--and woke up with them still there after a nice long sleep. This morning, to keep to my discipline of teaching first, I finished my slides for tomorrow's teaching (and they're good lessons, I think--I'm going to enjoy carrying them out).
But this afternoon I'm going to sit down and get some of the first scene down on the page. My goal that feels manageable: 20 novel pages per week average, spending at least 3 days per week pounding out 6-7 page chunks, which would lead, if all goes well, to a completed first draft by the end of the semester. I have the arc of at least the first few scenes in my head and at least some sense of how they tie into the overall story, so the first (and probably second week) should be fairly low on the "I don't know what the heck's happening next" scale. And hopefully by that time I'll have the next chunk roughed out in my head.
It feels like a gift, how the seeds of planning have taken root--how seamlessly my prep tasks for teaching and writing have flowed into the semester. My life, at the moment, is both balanced and fulfilling, and I know that doesn't happen every day.
I'm keenly aware of how privileged my life is right now, to be able to spend time doing things I love.
I know I'm blessed during the tough times, too, but today I'm feeling my blessedness more keenly than ever. And I wanted to get that down so I could look back later when things might not be going as perfectly and remember that this is a privilege, to be doing these things.
And then I went to my first creative writing class.
I like creative people. I enjoy talking about creative writing things. It was fun.
It was a long day, but I went to bed with thoughts of the beginning of my novel--and woke up with them still there after a nice long sleep. This morning, to keep to my discipline of teaching first, I finished my slides for tomorrow's teaching (and they're good lessons, I think--I'm going to enjoy carrying them out).
But this afternoon I'm going to sit down and get some of the first scene down on the page. My goal that feels manageable: 20 novel pages per week average, spending at least 3 days per week pounding out 6-7 page chunks, which would lead, if all goes well, to a completed first draft by the end of the semester. I have the arc of at least the first few scenes in my head and at least some sense of how they tie into the overall story, so the first (and probably second week) should be fairly low on the "I don't know what the heck's happening next" scale. And hopefully by that time I'll have the next chunk roughed out in my head.
It feels like a gift, how the seeds of planning have taken root--how seamlessly my prep tasks for teaching and writing have flowed into the semester. My life, at the moment, is both balanced and fulfilling, and I know that doesn't happen every day.
I'm keenly aware of how privileged my life is right now, to be able to spend time doing things I love.
I know I'm blessed during the tough times, too, but today I'm feeling my blessedness more keenly than ever. And I wanted to get that down so I could look back later when things might not be going as perfectly and remember that this is a privilege, to be doing these things.
Labels:
balance,
creative writing,
motivation,
NaNoWriSpr,
teaching,
writing practices
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Monday, January 14, 2013
On Celebrating New Phases
I like to start things slow. I like to work my way into
things. Dwell on them for as much time as it takes. Take my time.
While some delight in the early stages of dating, for instance, I wasn't a big fan at most points in my single life. No, for me the delightful deeper understanding of a long-term relationship.
Same with most things, for the most part. I don't mind going to new places, per se, or experiencing new things, but in the novelty vs. stability dialectic, I will usually vote for stability, at least when it comes to from scratch starts.
The fact that I'm loving the beginning of this DNiP* at this point is a misdirection, in a way. After all, it's been 5-6 years since I first conceived the idea for this project, and I just recently made a judgment call that I'd done enough research, let it simmer enough, and had enough slackening in my schedule of other responsibilities to commit it to paper with fear and trembling balanced with a measure of confidence for reasons I've already discussed in recent posts.
Which is to say that the type of novelty I absolutely adore involves entering new phases of larger projects once I'm into them. That's the kind of beginning I can get behind completely.
And that's the type of beginnings I'm entering on in this, my second semester of teaching at this particular university. In my teaching, I'm feeling profoundly blessed to be revising and extending courses and course concepts I've taught before, and in some classes teaching the same students I've already gotten to know and who have already gotten to know me. It's marvelous. While there are great parts to teaching a class the first time, I always feel like it's a first draft that had way too many things that ought not have been released yet, especially when I'm teaching it to a new set of students with an inevitably different student culture from the places I'd previously taught. First drafts, as Anne Lamott points out, are inevitably flawed. And so, in my opinion, are first semesters. On the other hand, second teaching semesters=fabulous opportunities to fix many of the most glaring flaws (and hopefully some of the smaller ones as well).
In creative writing territory, as mentioned above, while I'm not revising, I'm entering a new phase for which I largely feel ready. The fiction-writing seminar starts on Tuesday, and the way has been cleared. Five large recipes have been cooked in recent days, with the leftovers in the freezer to pull out as needed. My syllabi and lesson plans for the early parts of my teaching semester have been written. The online course environment has been set up with the most crucial documentation, and reasonable self-deadlines set up for other teaching-related tasks in the near future. The novel's background research has largely been completed, except for that which will be manageable to do during the writing of the first draft (and for that, the books and articles have been gathered for easy access). The plot and characters have been slowly forming in my thoughts and through notes. It's time--finally--to start writing the thing.
Three cheers for beginnings of new phases of projects already begun! Huzzah! Huzzah! Huzzah!
*Dear Novel-in-Progress
While some delight in the early stages of dating, for instance, I wasn't a big fan at most points in my single life. No, for me the delightful deeper understanding of a long-term relationship.
Same with most things, for the most part. I don't mind going to new places, per se, or experiencing new things, but in the novelty vs. stability dialectic, I will usually vote for stability, at least when it comes to from scratch starts.
The fact that I'm loving the beginning of this DNiP* at this point is a misdirection, in a way. After all, it's been 5-6 years since I first conceived the idea for this project, and I just recently made a judgment call that I'd done enough research, let it simmer enough, and had enough slackening in my schedule of other responsibilities to commit it to paper with fear and trembling balanced with a measure of confidence for reasons I've already discussed in recent posts.
Which is to say that the type of novelty I absolutely adore involves entering new phases of larger projects once I'm into them. That's the kind of beginning I can get behind completely.
And that's the type of beginnings I'm entering on in this, my second semester of teaching at this particular university. In my teaching, I'm feeling profoundly blessed to be revising and extending courses and course concepts I've taught before, and in some classes teaching the same students I've already gotten to know and who have already gotten to know me. It's marvelous. While there are great parts to teaching a class the first time, I always feel like it's a first draft that had way too many things that ought not have been released yet, especially when I'm teaching it to a new set of students with an inevitably different student culture from the places I'd previously taught. First drafts, as Anne Lamott points out, are inevitably flawed. And so, in my opinion, are first semesters. On the other hand, second teaching semesters=fabulous opportunities to fix many of the most glaring flaws (and hopefully some of the smaller ones as well).
In creative writing territory, as mentioned above, while I'm not revising, I'm entering a new phase for which I largely feel ready. The fiction-writing seminar starts on Tuesday, and the way has been cleared. Five large recipes have been cooked in recent days, with the leftovers in the freezer to pull out as needed. My syllabi and lesson plans for the early parts of my teaching semester have been written. The online course environment has been set up with the most crucial documentation, and reasonable self-deadlines set up for other teaching-related tasks in the near future. The novel's background research has largely been completed, except for that which will be manageable to do during the writing of the first draft (and for that, the books and articles have been gathered for easy access). The plot and characters have been slowly forming in my thoughts and through notes. It's time--finally--to start writing the thing.
Three cheers for beginnings of new phases of projects already begun! Huzzah! Huzzah! Huzzah!
*Dear Novel-in-Progress
Labels:
balance,
beginnings,
discipline,
NaNoWriSpr,
productivity,
stages,
teaching,
writing life
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Saturday, January 12, 2013
And the Word of the Year Is...Discipline!
The other day (in church, if you want to know) I was given a slip of paper with a keyword on it meant to guide my year. I laughed when I saw the word "discipline." I laughed because I wrote a catapult magazine article about the concept this fall, and have been working in that direction anyway.
And yet there was also a hollow spot in the pit of my stomach when I saw it. I almost wanted to give it back.
But I knew it was the right thing. I needed this. This semester I'm not just juggling two roles--teaching and life--like I did last semester. No, this semester, I'm juggling teaching and writing a novel and life. And while the teaching part is a bit less intense than it was last semester, sometimes it's as much about the number of roles that you're juggling as it is the individual--or even combined--intensity of those roles.
And in this case, I'm not just dealing with that classic work-life balance thing where the "life" part can be easily shoved to the side as needed, but the work/work/life balance thing where both works will be important, and very different. It's not remotely the same as when one is trying to balance teaching 4 classes with life like one did last year, because there it's still one large chunk called "teaching" that's involved primarily. It's teaching and writing a novel, which is something one is used to pushing aside because one's internalized work ethic from one's heritage classifies that as much too fun to devote time to, even when one knows it's worthwhile and has specifically signed up for a class so that argument wouldn't be allowed to hold water.
Granted, the novel might still be pushed occasionally to the side, as teaching will ALWAYS come first for me. The students are the most important, and I am so glad to devote time to their growth. And it is and will be my primary job. But still. The novel, because I'm taking a class that keeps me accountable for writing it, won't be able to be pushed entirely to the side. And that means I'll need to do my teaching-related activities with more--well, discipline--to leave it room.
It's funny--I know I can do this. I've done it before, many times, the juggling act, in many different types of configurations. I worked more than full time and at the same time did volunteer work editing a couple of online magazines. I wrote a novel manuscript while working more than full time and, incidentally, applying for grad school. And I wrote a dissertation while teaching and being on the job market. Etc. Etc. It just feels new, every time one adjusts one's life and mindset and habits to a new configuration. One has to learn (and re-learn) specific disciplines to create new habits.
And it never, for some reason, feels like riding a bike. But it's always achievable. One remembers eventually what has worked in the past for similar configurations and that one gets the hang of it. For now, here are some largely recycled disciplines I'm working to (re)integrate into my life since I'm now entering into this new juggling act:
And yet there was also a hollow spot in the pit of my stomach when I saw it. I almost wanted to give it back.
But I knew it was the right thing. I needed this. This semester I'm not just juggling two roles--teaching and life--like I did last semester. No, this semester, I'm juggling teaching and writing a novel and life. And while the teaching part is a bit less intense than it was last semester, sometimes it's as much about the number of roles that you're juggling as it is the individual--or even combined--intensity of those roles.
And in this case, I'm not just dealing with that classic work-life balance thing where the "life" part can be easily shoved to the side as needed, but the work/work/life balance thing where both works will be important, and very different. It's not remotely the same as when one is trying to balance teaching 4 classes with life like one did last year, because there it's still one large chunk called "teaching" that's involved primarily. It's teaching and writing a novel, which is something one is used to pushing aside because one's internalized work ethic from one's heritage classifies that as much too fun to devote time to, even when one knows it's worthwhile and has specifically signed up for a class so that argument wouldn't be allowed to hold water.
Granted, the novel might still be pushed occasionally to the side, as teaching will ALWAYS come first for me. The students are the most important, and I am so glad to devote time to their growth. And it is and will be my primary job. But still. The novel, because I'm taking a class that keeps me accountable for writing it, won't be able to be pushed entirely to the side. And that means I'll need to do my teaching-related activities with more--well, discipline--to leave it room.
It's funny--I know I can do this. I've done it before, many times, the juggling act, in many different types of configurations. I worked more than full time and at the same time did volunteer work editing a couple of online magazines. I wrote a novel manuscript while working more than full time and, incidentally, applying for grad school. And I wrote a dissertation while teaching and being on the job market. Etc. Etc. It just feels new, every time one adjusts one's life and mindset and habits to a new configuration. One has to learn (and re-learn) specific disciplines to create new habits.
And it never, for some reason, feels like riding a bike. But it's always achievable. One remembers eventually what has worked in the past for similar configurations and that one gets the hang of it. For now, here are some largely recycled disciplines I'm working to (re)integrate into my life since I'm now entering into this new juggling act:
- Removing a couple apps from my phone and giving myself stricter time limits when tempted by online and smartphone distractions
- Breaking large tasks into smaller bits and starting with the easiest/least seemingly onerous part when there's not a time pressure indicating otherwise
- "Procrastinating" using other things I need to do anyway (especially teaching stuff and life stuff like exercising, showering, cooking, and cleaning, since the novel will usually be the thing that tries to take over, I'm sensing)
- "Procrastinating" using things that will help me deal with my issues (especially journaling)
- Giving myself manageable self-deadlines that are believable, but sooner than ones others would give me, and will allow me to keep progressing on all tracks without ever (hopefully) having to go into panic mode
- Sometimes making myself simply start that task I don't like because it has to be done soon
Labels:
balance,
discipline,
distractions,
NaNoWriSpr,
writing life,
writing neuroses,
writing practices
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Wednesday, August 17, 2011
Ph.Did
I can't believe it's been 10 days since I crossed that stage, was hooded by my advisor, and shook the Purdue president's hand. And today, finally, it said in the online transcript system that it was official--that a degree had been awarded.
It's real. I'm done. So they tell me.
I still probably won't believe it until I hold the real diploma in my hands, which should be in the next couple of weeks.
But I'm done. The dissertation was deposited and officially accepted by the university. I'm free to move on to push its research deeper, to seek publication in the academic realms for articles related to it, to move eventually to other related and unrelated research questions.
I'm free, now that the dissertation has been approved, to also immerse myself in other non-academic projects as well, when teaching permits.
And now that I've slept a bit more, have begun to come down from an incredibly stressful year, am beginning to see the fog clear around me, I'm excited to move into a new school year with new syllabi and lesson plans. And I'm beginning to get excited about some of these writing projects as well.
But I need to read some poetry first. It's been a long year with lots of words having been plowed out on demand--I need to remind myself that word play is possible.
It's real. I'm done. So they tell me.
I still probably won't believe it until I hold the real diploma in my hands, which should be in the next couple of weeks.
But I'm done. The dissertation was deposited and officially accepted by the university. I'm free to move on to push its research deeper, to seek publication in the academic realms for articles related to it, to move eventually to other related and unrelated research questions.
I'm free, now that the dissertation has been approved, to also immerse myself in other non-academic projects as well, when teaching permits.
And now that I've slept a bit more, have begun to come down from an incredibly stressful year, am beginning to see the fog clear around me, I'm excited to move into a new school year with new syllabi and lesson plans. And I'm beginning to get excited about some of these writing projects as well.
But I need to read some poetry first. It's been a long year with lots of words having been plowed out on demand--I need to remind myself that word play is possible.
Labels:
academic writing,
balance,
dissertation,
productivity,
writing life
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Tuesday, October 5, 2010
Back after a Small Disruption
So after that lovely post last time, in which I talked about how blessedly idyllic and balanced my life had become, my hard drive crashed and everything went wonky for awhile. [Pause given to reflect on the relation between pride and falls.]
Thankfully, my dissertation pages were saved, since I was writing them in the notes function of Zotero. [Pause to say "God bless Zotero" under breath.]
And really, most of the important stuff was saved, and I got a new bigger hard drive out of it for free. [Pause to say "God bless Apple Care."]
It just made it a royal pain to get back up to speed on things. Thankfully, I'm getting close to managing things once again. Life is crazy-busy now, at this point in the semester, but it's feeling a trifle more almost-possible to do this. [Pause after typing words, fearing they betoken another such hard drive crash, but decides honesty is the best policy.]
Thankfully, my dissertation pages were saved, since I was writing them in the notes function of Zotero. [Pause to say "God bless Zotero" under breath.]
And really, most of the important stuff was saved, and I got a new bigger hard drive out of it for free. [Pause to say "God bless Apple Care."]
It just made it a royal pain to get back up to speed on things. Thankfully, I'm getting close to managing things once again. Life is crazy-busy now, at this point in the semester, but it's feeling a trifle more almost-possible to do this. [Pause after typing words, fearing they betoken another such hard drive crash, but decides honesty is the best policy.]
Labels:
balance,
writing disruptions,
writing life
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Wednesday, September 9, 2009
Thriving in the Third Year
So I'm learning/remembering a lot about my preferred working style/kind of life (including the writing life) by my first month of this, the third year of my PhD. Mostly, I'm confirming that I was right about myself, in that I thrive better when I don't have to take 3 classes while also doing a million other things.
It's not that I'm not fantastically busy. In fact, if possible, I'm busier than I was last year. But I'm finding that I enjoy the academic life much much more when I have more of a say in what I do when.
It's not that I don't have deadlines now: quite firm ones at times. I must finish these preliminary exams by September 24, for instance, because I'm given a month to do that. And I have a month to defend the exams. But I negotiated the timing of that, and have been able to choose what kinds of questions I wanted to take/prepare for when.
I chose to do this now, at the beginning of the semester, before my students have their major assignments due. This small juggling act I'm allowed to do allows me to be a better teacher, because I won't have so much other craziness at the end of the semester.
It also allows me to really focus on writing these prelims well, because while I have lesson planning (and have been really enjoying planning lessons this semester without 3 classes at the same time--having a chance to use my creativity to make up good new interactive activities), I don't have a huge amount of grading to do until the prelims are done.
It helps all of this so much that I only have one (last required) class I'm taking. I really like taking classes, but am glad the crazy 3-per-semester requirement is done.
I can begin to see the end of the tunnel a bit, and that helps too. After all, if I pass these exams, I'll be officially qualified to teach at the university level. After that, (just?) the dissertation, which is a topic I'm incredibly motivated to dig further into and have already collected and written a lot of material towards. (And since writing is my thing, and I wended my way through writing a 100 page MA thesis only a couple of years ago, the length of it doesn't overwhelm me too much. At least not at the moment.)
So, while I'm fantastically busy, I'm not minding that. I'm really enjoying this academic life of mine.
It's not that I'm not fantastically busy. In fact, if possible, I'm busier than I was last year. But I'm finding that I enjoy the academic life much much more when I have more of a say in what I do when.
It's not that I don't have deadlines now: quite firm ones at times. I must finish these preliminary exams by September 24, for instance, because I'm given a month to do that. And I have a month to defend the exams. But I negotiated the timing of that, and have been able to choose what kinds of questions I wanted to take/prepare for when.
I chose to do this now, at the beginning of the semester, before my students have their major assignments due. This small juggling act I'm allowed to do allows me to be a better teacher, because I won't have so much other craziness at the end of the semester.
It also allows me to really focus on writing these prelims well, because while I have lesson planning (and have been really enjoying planning lessons this semester without 3 classes at the same time--having a chance to use my creativity to make up good new interactive activities), I don't have a huge amount of grading to do until the prelims are done.
It helps all of this so much that I only have one (last required) class I'm taking. I really like taking classes, but am glad the crazy 3-per-semester requirement is done.
I can begin to see the end of the tunnel a bit, and that helps too. After all, if I pass these exams, I'll be officially qualified to teach at the university level. After that, (just?) the dissertation, which is a topic I'm incredibly motivated to dig further into and have already collected and written a lot of material towards. (And since writing is my thing, and I wended my way through writing a 100 page MA thesis only a couple of years ago, the length of it doesn't overwhelm me too much. At least not at the moment.)
So, while I'm fantastically busy, I'm not minding that. I'm really enjoying this academic life of mine.
Labels:
academic writing,
balance,
productivity,
writing life
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Tuesday, July 21, 2009
My New Writing Practice
I used to have this wonderful routine down, back before I went back to grad school. I was working more than full-time, so I'd work my 10 or 12 hours in a day. Then I'd come home, maybe play some piano, maybe take a walk (with or without my friend across the street) to clear my head from the stresses of the day.
And then, around 9 or 10 p.m., I'd sit down in the living room with the TV off, I'd journal out whatever thoughts were running around in my head, and I'd think and write at least 100 words of my creative project (often several pages). The writing would sometimes take me up till 2 or 3 a.m. And then I'd get up at 7 and start over again.
Retrospectively, I'm not sure how I had the stamina. But it worked well.
The problem with grad school is in part that I often work at home. It then becomes harder to find practices that clear my head and help me to move from one thing--and one kind of thing--to another. Especially when so much of my work of all kinds is done on the computer.
But I've begun exercising again (sans iPod because it died) and that is helping. And last night I discovered that lighting a few candles in my living room and staring at them for a few minutes also helps.
Which is good because I have to switch back and forth between heavily academic tasks, errands, and this creative project for my assistantship for the rest of the week. And the creative project has passed most of the research phase and moved into the writing stage. And there's a pretty strong deadline, so I need to get into the creative writing mode pretty frequently. And quickly. And well.
You go, candles. You go.
And then, around 9 or 10 p.m., I'd sit down in the living room with the TV off, I'd journal out whatever thoughts were running around in my head, and I'd think and write at least 100 words of my creative project (often several pages). The writing would sometimes take me up till 2 or 3 a.m. And then I'd get up at 7 and start over again.
Retrospectively, I'm not sure how I had the stamina. But it worked well.
The problem with grad school is in part that I often work at home. It then becomes harder to find practices that clear my head and help me to move from one thing--and one kind of thing--to another. Especially when so much of my work of all kinds is done on the computer.
But I've begun exercising again (sans iPod because it died) and that is helping. And last night I discovered that lighting a few candles in my living room and staring at them for a few minutes also helps.
Which is good because I have to switch back and forth between heavily academic tasks, errands, and this creative project for my assistantship for the rest of the week. And the creative project has passed most of the research phase and moved into the writing stage. And there's a pretty strong deadline, so I need to get into the creative writing mode pretty frequently. And quickly. And well.
You go, candles. You go.
Labels:
balance,
creative writing,
self-management,
writing practices
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Tuesday, May 19, 2009
And She's Ba-ack!
So yesterday mid-afternoon I was the grumpest of the grumps. Woe was I and all that.
I decided I was facing post-semester stress disorder, the result of trying to downshift from 80 hours per week into 40 without losing steam entirely. The summer's prospective projects were overwhelming me, and I felt incredibly guilty about allowing myself to do something other than academic work.
By the evening, I was pretty whiny.
But then, over the course of the evening, things worked. Having decided I would do no academic work for the evening--definitively--worked like magic. There was nothing on TV, so I turned it off and didn't try to replace it with movies for several hours.
I pulled out the Swahili books I had put away (read: taken back to the library) last fall and looked over the first lesson again, rehearsing the now-unfamiliar, yet familiar, sounds. I looked up how to say "post-semester stress disorder" in Swahili in an online dictionary and felt ridiculously happy about it, even though I had no idea how to put the individual words together in the way that made sense. I exercised a bit to my newly discovered and fabulous Exercise TV on-demand channel, getting my muscles moving again bit by bit.
And, as a result of these writing practices, my brain too started to loosen itself up and use muscles that had lain dormant during the school year. And about 1:30 a.m., inspiration hit. I started a creative project I'd been thinking about for awhile. It flowed, and it was beautiful.
Considering last year this barely happened at the end of summer, this is a beautiful, beautiful day in the neighborhood. Woohoo! I'm back in the land of creative writing!
Sure, I still have many academic tasks for the summer, but I'm beginning to envision how a certain amount of, dare I say "balance"? might be possible in the next few months. Ah, frabjous day...
I decided I was facing post-semester stress disorder, the result of trying to downshift from 80 hours per week into 40 without losing steam entirely. The summer's prospective projects were overwhelming me, and I felt incredibly guilty about allowing myself to do something other than academic work.
By the evening, I was pretty whiny.
But then, over the course of the evening, things worked. Having decided I would do no academic work for the evening--definitively--worked like magic. There was nothing on TV, so I turned it off and didn't try to replace it with movies for several hours.
I pulled out the Swahili books I had put away (read: taken back to the library) last fall and looked over the first lesson again, rehearsing the now-unfamiliar, yet familiar, sounds. I looked up how to say "post-semester stress disorder" in Swahili in an online dictionary and felt ridiculously happy about it, even though I had no idea how to put the individual words together in the way that made sense. I exercised a bit to my newly discovered and fabulous Exercise TV on-demand channel, getting my muscles moving again bit by bit.
And, as a result of these writing practices, my brain too started to loosen itself up and use muscles that had lain dormant during the school year. And about 1:30 a.m., inspiration hit. I started a creative project I'd been thinking about for awhile. It flowed, and it was beautiful.
Considering last year this barely happened at the end of summer, this is a beautiful, beautiful day in the neighborhood. Woohoo! I'm back in the land of creative writing!
Sure, I still have many academic tasks for the summer, but I'm beginning to envision how a certain amount of, dare I say "balance"? might be possible in the next few months. Ah, frabjous day...
Labels:
balance,
creative writing,
writer's block,
writing practices
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Tuesday, March 24, 2009
On Knocking Down Them There Walls
I'm pleased that the mojo came back (i.e., that I was able to pull through my spring break and balance the academic tasks I needed to get done with having time also to spend adequate time with people, get a bit caught up on my sleep, and get caught up on some of that impinging life stuff).
As to why it feels like the mojo's back to stay for awhile, I think part of that has to do with some success in the purpose of this blog--being able to knock down the walls in my mind between academic writing and creative writing in my head and heart. This blog has helped me not to privilege one over the other (as I had been doing) and to interrogate the reasons I might be doing so.
By knocking down that wall, I'm looking forward to clearing head space for both of these facets of my writerly self to continue to develop, as well as leaving room for more life events to take place around them. As a result, I'm ready to plunge back into the last six weeks of the semester, viewing them and their likely-accompanying tsunami wave-ishness as a necessary part of the writing life right now.
Not necessarily that they are the writing-life-as-usual, or that the craziness is the way life ought to be all the time, but it feels like if I can surf this wave, I'll be delivered safely to the next stage of my writing life, which will start in the summer with balancing my preparation for the Big Nasty Exams I hope to take in the fall with other writing tasks, and is likely to be a bit more like paddling in a canoe than riding a tsunami.
Since tsunami waves can come when you think it's just a puddle, though, it feels good to know how to do both phases of the writing life when the situation arises.
As to why it feels like the mojo's back to stay for awhile, I think part of that has to do with some success in the purpose of this blog--being able to knock down the walls in my mind between academic writing and creative writing in my head and heart. This blog has helped me not to privilege one over the other (as I had been doing) and to interrogate the reasons I might be doing so.
By knocking down that wall, I'm looking forward to clearing head space for both of these facets of my writerly self to continue to develop, as well as leaving room for more life events to take place around them. As a result, I'm ready to plunge back into the last six weeks of the semester, viewing them and their likely-accompanying tsunami wave-ishness as a necessary part of the writing life right now.
Not necessarily that they are the writing-life-as-usual, or that the craziness is the way life ought to be all the time, but it feels like if I can surf this wave, I'll be delivered safely to the next stage of my writing life, which will start in the summer with balancing my preparation for the Big Nasty Exams I hope to take in the fall with other writing tasks, and is likely to be a bit more like paddling in a canoe than riding a tsunami.
Since tsunami waves can come when you think it's just a puddle, though, it feels good to know how to do both phases of the writing life when the situation arises.
Labels:
balance,
integration,
productivity,
stillness,
writing life
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Sunday, March 22, 2009
Mission Accomplished
It's been lovely, having a quieter week on the academic front.
Of course, a quieter week still included a couple of stacks of grading along with some reading, planning discussion questions based on that reading, doing my taxes, and writing 10 pages of that conference paper that's due at the same time (early May) as my other final papers for my courses.
But still, I managed to take some time off--even had Thursday and Friday completely off, and today I managed to create ten pages of rough draft for the conference paper in less than 5 hours, which is a lovely thing.
I like this, as it feels like I'm getting good habits that might be somewhat reliable and maintainable in later times. I've pushed through a time of difficult something-or-other with my writing life (both academic and otherwise), and it's lovely here on the other side, where I can predict fairly well what is accomplishable in a week (even if some of it might take a trifle bit longer, some things will take less than I feared) and go on to do it in a relatively efficient time period, but without sacrificing on quality.
This bodes well for the summer, in which I will have to balance my writing, research, and studying tasks in my "spare" time, and even later on, when I will be working on my dissertation in my "spare" time. This reminds me that I've been looking forward to the end of my coursework for a reason--once I find something I want to write about, whether it's academic or creative, I greatly enjoy doing it, and when the mojo is there, I can keep the flow going even while I pause to enjoy the tasks I'm doing and fully appreciate the times in-between when I can balance those writing tasks with other life things, including just enjoying the world and the people in it.
This is a good thing. I'm quite thankful that it's been granted to me, just now.
Of course, a quieter week still included a couple of stacks of grading along with some reading, planning discussion questions based on that reading, doing my taxes, and writing 10 pages of that conference paper that's due at the same time (early May) as my other final papers for my courses.
But still, I managed to take some time off--even had Thursday and Friday completely off, and today I managed to create ten pages of rough draft for the conference paper in less than 5 hours, which is a lovely thing.
I like this, as it feels like I'm getting good habits that might be somewhat reliable and maintainable in later times. I've pushed through a time of difficult something-or-other with my writing life (both academic and otherwise), and it's lovely here on the other side, where I can predict fairly well what is accomplishable in a week (even if some of it might take a trifle bit longer, some things will take less than I feared) and go on to do it in a relatively efficient time period, but without sacrificing on quality.
This bodes well for the summer, in which I will have to balance my writing, research, and studying tasks in my "spare" time, and even later on, when I will be working on my dissertation in my "spare" time. This reminds me that I've been looking forward to the end of my coursework for a reason--once I find something I want to write about, whether it's academic or creative, I greatly enjoy doing it, and when the mojo is there, I can keep the flow going even while I pause to enjoy the tasks I'm doing and fully appreciate the times in-between when I can balance those writing tasks with other life things, including just enjoying the world and the people in it.
This is a good thing. I'm quite thankful that it's been granted to me, just now.
Labels:
academic writing,
balance,
productivity,
writing life
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Monday, March 2, 2009
On the Advantages of Having Other Things...
Okay, so if someone asked a crowd of people, "who would like some time to write full-time for at least awhile?" I may well have one of the first hands up. I look forward forward forward to my dissertation year--I mean, sure, I'll likely be teaching a class or two along with the dissertation, but I will be pretty close to writing full-time at that point, which I know from my MA thesis year will be exactly my cup of tea.
So don't think that I'm not looking forward to that, at all. Or super-excited about how crazy my life has been lately.
BUT when one has several pieces submitted to various venues (including the Amazon Novel Breakthrough Contest) and one's waiting to hear back, it doesn't hurt to have a few other things on your mind to keep you from neuroticizing about it. Perspective is a beautiful thing, and having a lot to do does keep those submissions in focus.
Now if I can only remember this feeling if and when I'm able to be writing full-time... Of course, if the dissertation year is anything like the MA thesis year, the forced look ahead at what's next in life will serve that counterpoint quite nicely. I actually found the writing of the thesis the delightful part of the year. Deciding what to do next with my life was the hard part. I hope, however, that if I'm ever a full-time writer for a longer stretch that I'm given the grace to keep things in perspective.
That's all for now. Back to that mile-high stack of things to do...
So don't think that I'm not looking forward to that, at all. Or super-excited about how crazy my life has been lately.
BUT when one has several pieces submitted to various venues (including the Amazon Novel Breakthrough Contest) and one's waiting to hear back, it doesn't hurt to have a few other things on your mind to keep you from neuroticizing about it. Perspective is a beautiful thing, and having a lot to do does keep those submissions in focus.
Now if I can only remember this feeling if and when I'm able to be writing full-time... Of course, if the dissertation year is anything like the MA thesis year, the forced look ahead at what's next in life will serve that counterpoint quite nicely. I actually found the writing of the thesis the delightful part of the year. Deciding what to do next with my life was the hard part. I hope, however, that if I'm ever a full-time writer for a longer stretch that I'm given the grace to keep things in perspective.
That's all for now. Back to that mile-high stack of things to do...
Labels:
balance,
distractions,
expectations,
submissions
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Monday, February 23, 2009
Love-Hate Relationships: The Creative Process
As I think I mentioned earlier, a couple weeks ago I had a breakthrough on how my dissertation ideas might be introduced and how they may well fit together in a coherent whole, and ever since then I've been quite happily devouring my readings for this semester and writing in my journal about new dissertation-thought nuances when they emerge from said readings, often just before I go to bed.
So this morning after the alarm went off at 7:30 I spent an incredibly productive hour and a half lying in bed in that state between sleeping and waking letting my dissertation ideas churn in my head for awhile before I got up to get back to the reading.
All this is a strong counterpoint to my life with my readings before said breakthrough.
The point of all of this is that I've been realizing lately how much I both love and hate the creative process. I sometimes think if it and I were ever thrown on the Jerry Springer show together, it would make for some dramatic television.
I hate:
So this morning after the alarm went off at 7:30 I spent an incredibly productive hour and a half lying in bed in that state between sleeping and waking letting my dissertation ideas churn in my head for awhile before I got up to get back to the reading.
All this is a strong counterpoint to my life with my readings before said breakthrough.
The point of all of this is that I've been realizing lately how much I both love and hate the creative process. I sometimes think if it and I were ever thrown on the Jerry Springer show together, it would make for some dramatic television.
I hate:
- How much my emotions are affected during that time before breakthroughs when I believe it will never come together again
- How little control I have about when those breakthroughs come, even if one subscribes to the "keep working at it until the inspiration shows up" philosophy
- The part after the breakthroughs come and everything starts to come together
- How mysterious the process is and that feeling that the creative breakthroughs are a gift, even if I'm involved in them
- Be more confident during the pre-breakthrough times of chaos and self-doubt
- Learn to balance the "keep working at it until the inspiration shows up" philosophy with appreciating the mystery and learning when to let a project rest for a time
Labels:
academic writing,
balance,
creativity,
inspiration,
writing process
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Monday, January 19, 2009
Upon Emerging from One's Cave (1)
Okay, sorry about the title, but I just finished re-reading Plato's cave story for my Rhetoric, Poetics, and Narrative class. I have many issues with the analogy, but I'll spare you the details and move straight on to my main point.
Which is that I'm noticing in retrospect that it was a much rougher semester last semester than I thought it was. I won't get into why that was, but it seems to me that, indeed, the Old Me is back.
I can tell this how? Well, for one, my energy levels are back. I think my many beach walks over the break helped this, as did a spate of eating better. Plus a few weeks of doing very little (other than the daily walk) has made me excited to turn off the TV and get to work. And I'm excited to keep up the exercise routine and the better eating as well, now that I've got a significant start on it. I even want to get up in the morning, most mornings, which is odd for me.
And along with the energy levels, my reader's block is gone gone gone. Sure, Barthes is a little slow reading, but my time management and motivational parts of myself, who seem to have been on vacation in some distant planet for awhile now, found me on the beach and seem to have come back with me. I'm even motivated to do non-school-related errands and housework and such.
This is good, because this is laying the groundwork for some good writin' time. I can feel it. (That's good as there are some conference deadlines speeding my way in less than a month.)
Woohoo! The semester is fresh and the energy is, too.
Which is that I'm noticing in retrospect that it was a much rougher semester last semester than I thought it was. I won't get into why that was, but it seems to me that, indeed, the Old Me is back.
I can tell this how? Well, for one, my energy levels are back. I think my many beach walks over the break helped this, as did a spate of eating better. Plus a few weeks of doing very little (other than the daily walk) has made me excited to turn off the TV and get to work. And I'm excited to keep up the exercise routine and the better eating as well, now that I've got a significant start on it. I even want to get up in the morning, most mornings, which is odd for me.
And along with the energy levels, my reader's block is gone gone gone. Sure, Barthes is a little slow reading, but my time management and motivational parts of myself, who seem to have been on vacation in some distant planet for awhile now, found me on the beach and seem to have come back with me. I'm even motivated to do non-school-related errands and housework and such.
This is good, because this is laying the groundwork for some good writin' time. I can feel it. (That's good as there are some conference deadlines speeding my way in less than a month.)
Woohoo! The semester is fresh and the energy is, too.
Labels:
balance,
focus,
spirituality and creativity,
tiredness
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Wednesday, December 3, 2008
Day 29: (Metaphorically) Out to Dinner with Derrida
Thought of the day: There is great irony in the fact that I feel I have least to offer in the way of amusing others when I'm at my most thoughtful, productive time of the semester. (This is when I've moved past the "slightly crazy but in an amusing stage" into the "truly focused on nothing but the writing I have to do" stage. I have not quite yet reached this latter stage this term, but feel it approaching.)
This doesn't mean that I have nothing to offer, I think, to others, during these times--just that such a large proportion of my attention is funneled into articulating some of what I'm learning in written form before I can articulate it orally to others once again.
It's interesting, I think, that I still catch myself viewing this attention to communicating in written form as a lesser form of communication than conversation with others, at moments like these.
Then again, it's more that when I'm busy being my most productive/creative, that creativity isn't always balanced between the different parts of my life, but put into primarily one kind of outlet. The same problem happens in a different form when all of my time is spent communicating face-to-face and I have no opportunity for written communication.
And these papers I'm writing ARE conversations: they're conversations with everything I've been reading. The fact that I feel myself narrowing in on the items I'm responding to, in order to prepare my written responses, is a reduction of ambient noise much like focusing in on what one's dinner companion is saying rather than listening to what's going on at the table next to yours at the restaurant (while in another circumstance you and your dinner companion might decide to go over and join in).
So yeah, I'm not trying to ignore all of you other bloggers out there at the next table right now by not mentioning you or linking to you in my posts. It's just that I'm mostly paying attention to the scholarly dinner companions whose words I've been reading, and figuring out how to respond to what they've been telling me for several months (in term paper form)....
This doesn't mean that I have nothing to offer, I think, to others, during these times--just that such a large proportion of my attention is funneled into articulating some of what I'm learning in written form before I can articulate it orally to others once again.
It's interesting, I think, that I still catch myself viewing this attention to communicating in written form as a lesser form of communication than conversation with others, at moments like these.
Then again, it's more that when I'm busy being my most productive/creative, that creativity isn't always balanced between the different parts of my life, but put into primarily one kind of outlet. The same problem happens in a different form when all of my time is spent communicating face-to-face and I have no opportunity for written communication.
And these papers I'm writing ARE conversations: they're conversations with everything I've been reading. The fact that I feel myself narrowing in on the items I'm responding to, in order to prepare my written responses, is a reduction of ambient noise much like focusing in on what one's dinner companion is saying rather than listening to what's going on at the table next to yours at the restaurant (while in another circumstance you and your dinner companion might decide to go over and join in).
So yeah, I'm not trying to ignore all of you other bloggers out there at the next table right now by not mentioning you or linking to you in my posts. It's just that I'm mostly paying attention to the scholarly dinner companions whose words I've been reading, and figuring out how to respond to what they've been telling me for several months (in term paper form)....
Labels:
balance,
communication theory,
focus,
media ecology,
productivity
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Friday, September 26, 2008
The Need for Non-Verbal Expression
I was tempted to make this post blank, but then I figured that was just a smart-aleck trick, since that wouldn't quite get across everything I was trying to say.
My thought, stemming from the musical solution to my recent reader's block, is that it's good to have a set of writing practices that don't involve verbalizing why you're blocked. Yes, I think it's good to journal stuff out, too, but things like music, exercise, and arts and crafts are good ways to not only get your brain moving, but to siphon off emotions without having to verbalize everything.
I think us word people--I know I do it--focus too much sometimes on the power of words to make things right. They can, it's true, and it's good to keep writing, for many many reasons, but it's also good sometimes to express things non-verbally, not necessarily to keep a 50-50 balance, but to make sure some of that is happening.
No one, after all, knows more than us that words have their limits.
My thought, stemming from the musical solution to my recent reader's block, is that it's good to have a set of writing practices that don't involve verbalizing why you're blocked. Yes, I think it's good to journal stuff out, too, but things like music, exercise, and arts and crafts are good ways to not only get your brain moving, but to siphon off emotions without having to verbalize everything.
I think us word people--I know I do it--focus too much sometimes on the power of words to make things right. They can, it's true, and it's good to keep writing, for many many reasons, but it's also good sometimes to express things non-verbally, not necessarily to keep a 50-50 balance, but to make sure some of that is happening.
No one, after all, knows more than us that words have their limits.
Labels:
articulation,
balance,
emotions,
practices
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Tuesday, September 16, 2008
Swallowed Up...
I'm finally feeling better from my sinus infection, but have been knocked over the head and ignominiously dragged off into a cave by the assignments that were lurking outside my door while I was sleeping off the infection. They tell me, if I'm good, I can get out for Thanksgiving dinner and a few hours in October, but other than that, there's no chance of being let out for three more months. I feel like Jonah.
It's sort of warm in here, in the belly of grad school. Sort of womb-like, and comforting in a way (though there are emotions in here, they're not so frequent as in the world of creative writing). And it's not so bad, seeing around me by dim light. I know those shadows back there, in the corners, are tunnels leading to the concrete parts of the world I've left behind, along with those other worlds whose characters are waiting for me to bring them into a more concrete-ish existence in words.
I know there are people out there in the world, on vacations, getting errands instead of research for papers done on Saturdays, allowing themselves those odd distant things called "hobbies." Or at least allowing themselves to get that tire finally replaced on the car. Maybe I can stage a revolution in a week or so and bust out into the open air for some time--maybe even a Saturday--of non-grad school-related activities, maybe even some novel editing (while sitting at Goodyear, of course), once this presentation is done. It would be a daring expedition, involving much planning and diligence for me to not feel ridden with guilt.
See, the problem is that if I'm not careful, I'll be forming bonds with my captors (something to which my pattern of empathizing with my characters leaves me vulnerable). It's likely to happen any minute now...
It's sort of warm in here, in the belly of grad school. Sort of womb-like, and comforting in a way (though there are emotions in here, they're not so frequent as in the world of creative writing). And it's not so bad, seeing around me by dim light. I know those shadows back there, in the corners, are tunnels leading to the concrete parts of the world I've left behind, along with those other worlds whose characters are waiting for me to bring them into a more concrete-ish existence in words.
I know there are people out there in the world, on vacations, getting errands instead of research for papers done on Saturdays, allowing themselves those odd distant things called "hobbies." Or at least allowing themselves to get that tire finally replaced on the car. Maybe I can stage a revolution in a week or so and bust out into the open air for some time--maybe even a Saturday--of non-grad school-related activities, maybe even some novel editing (while sitting at Goodyear, of course), once this presentation is done. It would be a daring expedition, involving much planning and diligence for me to not feel ridden with guilt.
See, the problem is that if I'm not careful, I'll be forming bonds with my captors (something to which my pattern of empathizing with my characters leaves me vulnerable). It's likely to happen any minute now...
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Tuesday, August 26, 2008
The Quest for Balance: A Lament
The days are passing quickly now. Today I will be spending lots of hours on airplanes, returning from a mostly non-working vacation. Tomorrow I plow back into work and classes--it's hard to believe I'm starting my second year of classes for my PhD (it technically started yesterday). I'm excited about the classes I'm taking this semester. But I'm also aware that I'll be sucked into a hectic schedule again. I fear I may not be able to keep the balance I've been finally starting to regain in my writing life, as well as in my life in general.
As part of my mourning process, I'm taking a moment to say goodbye to the things I've enjoyed this summer.
Goodbye to long hours spent baking and cooking for friends, and hanging out with them. Goodbye, long hours spent journaling and brainstorming/working on creative projects. Goodbye, long unscheduled walks. Goodbye to hours that spent immersed in learning a new language. Goodbye to consumption of so much time by DVDs and fiction books.
Oh well, at least over the summer I've been getting energized about some of these things again, so I hope to be able to cycle through a variety of these activities (though in smaller quantities, of course) rather than getting sucked too much into just one of them, when I do have time.
And I have an eye on some creative writing projects that might be easier to slip into and out of this semester--I didn't have those last year. That will help. And this blog should help reminding me to keep things balanced as well.
Here's hoping it will be a healthier semester than the last one.
As part of my mourning process, I'm taking a moment to say goodbye to the things I've enjoyed this summer.
Goodbye to long hours spent baking and cooking for friends, and hanging out with them. Goodbye, long hours spent journaling and brainstorming/working on creative projects. Goodbye, long unscheduled walks. Goodbye to hours that spent immersed in learning a new language. Goodbye to consumption of so much time by DVDs and fiction books.
Oh well, at least over the summer I've been getting energized about some of these things again, so I hope to be able to cycle through a variety of these activities (though in smaller quantities, of course) rather than getting sucked too much into just one of them, when I do have time.
And I have an eye on some creative writing projects that might be easier to slip into and out of this semester--I didn't have those last year. That will help. And this blog should help reminding me to keep things balanced as well.
Here's hoping it will be a healthier semester than the last one.
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
Friday, August 15, 2008
Mindgames, Part 2: All Work and No Re-creation...
This is the problem: I can get in this mindset, at times, that all things in my life must feed into certain projects and that I'm not allowed to do anything else.
This mindset is prevalent in academe, but other writers can get stuck in it too, and in creative writing it's particularly harmful. If one insists on funneling all of one's energies into existing creative writing projects, and doesn't leave room for both writing and non-writing activities unrelated to those projects, one may be choking off some fabulous project of the future.
So I have several goals meant to stave off this problem and keep myself sane:
This mindset is prevalent in academe, but other writers can get stuck in it too, and in creative writing it's particularly harmful. If one insists on funneling all of one's energies into existing creative writing projects, and doesn't leave room for both writing and non-writing activities unrelated to those projects, one may be choking off some fabulous project of the future.
So I have several goals meant to stave off this problem and keep myself sane:
- Spend time playing in writing. Letting ideas that are unrelated to my major projects come to the forefront is important. I may or may not use them later on, but it's important to allow them to come forward. This time I know I'll be busy with many grad student tasks, but I'm planning to schedule at least a few minutes a couple times per week for stretching writing muscles I'm not otherwise focusing on.
- Relational time. Often the writing life involves a lot of time spent alone. This is, I believe, mostly healthy--something worth safeguarding when life gets too busy. But giving up at least some writing time for the sake of relationships and other people's interests helps me from being too selfish about my time and my projects. And, especially since a good chunk of my writing requires a deep understanding of communication and relationships, time with others helps me understand humanity better and deepens my writing in unforeseen ways.
- Activities whose application to my writing I can't foresee. Relationships are helpful with this. For instance, I'm learning another language right now--Swahili--because it's my boyfriend's primary language, and I want to be able to talk to him better. Can I foresee how this will help the novels and academic projects I have going? No. But it's stretching my mind, giving me a fresh look at language, and it's bound to surface later on in my creative work in some way that is now mysterious to me...
- Sabbaths and non-writing retreats/vacations. As most of those who know me know, not only do I not allow myself to do work on Sundays, I don't let myself feel guilty about not doing work on Sundays. This helps me to have time to readjust anything that's off in my life. I also have learned I need a certain number of quiet monastery weekends and/or active lifestyle vacations in which I'm not expecting myself to do a large amount of writing work. Both Sabbaths and vacations/retreats are there to remind me that producing without ceasing isn't good for anybody, and that, as I'm not Atlas, the world does not entirely depend on my efforts. And yeah, often the things I learn and see during these times pop up later on in my writing.
Labels:
balance,
creativity,
retreat,
sabbath
I'm a writer, an incurable reader, a narrative theorist, a media researcher, a scholar/author/writer/consultant, a PK, and the Queen of Soup Making. I write a lot, and I've taught a wide range of topics in universities. Along my journey I've picked up a PhD in Communication from Purdue and 2 degrees in English. I've been turning my ideas about communication as author-audience relationships into a communication paradigm that can be applied to a wide range of situations. I'm also writing a historical mystery series. I'm a member of Sisters in Crime, and the co-chair of the Mystery and Detective Fiction Caucus of the Popular Culture Association. My MA thesis focused on connections between T. S. Eliot and Thoreau, who each wondered about how to remain still and still moving. Before I went to grad school, I spent 7 years working for a division of HarperCollins Publishers.
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